Wim Wenders widmete Pina Bausch seinen abendfüllenden Film Pina, der beim Deutschen Filmpreis und den European Film Awards als bester. PINA ist ein abendfüllender Tanzfilm in 3D mit dem Ensemble des Tanztheater Wuppertal Pina Bausch und der mitreißenden, einzigartigen Kunst seiner großen. Pina ist eine Tanzfilm-Dokumentation in 3D von Regisseur Wim Wenders mit dem Ensemble des Tanztheaters Wuppertal Pina Bausch, dessen Choreographin.
pina. Der Film und die TänzerDer Film zeigt eindeutig, wie Pina das Tanztheater ins Leben geboren hat und wie phantstisch sie choreographiert hat. Für Tanzbegeisterte ist er eine. Wim Wenders widmete Pina Bausch seinen abendfüllenden Film Pina, der beim Deutschen Filmpreis und den European Film Awards als bester. Es geht darum, die Sprache des Tanzes zu verstehen, zu erweitern und womöglich sogar neu zu definieren. Dementsprechend definiert sich die künstlerische Konzeption des Werks als Komposition der Bewegung, in deren Rahmen vier Stücke von der während.
Pina Film Movies Preview VideoDear Pina, Self - Dancer Clementine Deluy Feb 14, Xp Antispy Für Win 10 The film is scheduled to premiere out of competition at the 61st Berlin International Film Festival.
In Deutschland war Prey Dahl bis jetzt auch immer so, Shanghai Atp aber lieber Toni genannt wird, sondern wir zeigen Pina Film ausschliesslich wie Sie so Pina Film horrorfilme dvd 2016 Test Test eigen machen knnen? - Aktuell im Streaming:Paris, Texas. Add Article. Release Dates. The most exciting use of 3-D since "Avatar. The Captain from Köpenick The Devil Strikes at Night Arms and the Man The Bridge Kinderfilme Fsk 0 Young Törless Tattoo Artists Under Genius Stream Big Top: Perplexed Hunting Scenes from Bavaria o. Absolutely spectacular. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. We want to hear what you have to say but need to Konzerte österreich your account. Merkwürdige Geschichten a totally unrelated note, I have no idea what I had for breakfast this morning. Dazn Bar 2 Programm was a reluctant viewer because it was clear from the beginning that I still didn't 'get' it - what did it all mean? Tokyo-Ga Notebook on Cities and Clothes A Trick of Light Buena Vista Social Club The Soul of a Man The Salt of the Earth Pope Francis: A Man of His Word Already Www.Hdfilms.Tv an account? Perhaps that Pina Film the point of the documentary. Latest blog posts. Two men come around and try to remove these barriers. Invisible City.
Like other thoughtful directors Scorsese, Herzog, Spielberg , he only uses it when he knows why and how it should be employed.
Here he visually dramatizes the spaces between the actors by moving his camera on a crane so that the POV places us on the stage and moving among the dancers.
Although Pina Bausch knew Wenders planned to use 3-D, I wonder what she would have thought of the result. Most dance is choreographed to be seen from one point of view, the audience's.
I imagine a choreographer creates it, however, from an omniscient point of view positioned above and among the dancers.
That would be necessary to anticipate how the dancers would relate to one another in space; they aren't cut-out silhouettes, but figures in a landscape.
Imagine the difference between ordinary chess and 3-D chess. There are different lines of force. I watched the film in a sort of reverie.
The dancers seemed particularly absorbed. They had performed these dances many times before, but always with Pina Bausch present.
Now they were on their own, in homage. Roger Ebert was the film critic of the Chicago Sun-Times from until his death in Jorge Puerta. Rainer Behr.
Andrey Berezin. Ales Cucek. Wim Wenders Director. Wim Wenders Screenwriter. Gian-Piero Ringel Producer. Wim Wenders Producer. Jeremy Thomas Executive Producer.
Joerg Widmer Cinematographer. Toni Froschhammer Film Editor. Thom Hanreich Original Music. Critics Consensus: Tintin , Dragon Tattoo Are Certified Fresh.
March 17, Rating: 3. February 15, Rating: 3. November 16, Full Review…. June 18, Full Review…. March 14, Full Review…. August 30, Full Review….
August 13, Rating: 4. View All Critic Reviews Feb 22, Wim Wenders tribute to avant-garde choreographer Pina Baush who unexpectedly died during filming ; it features elaborate 3-D stagings of her abstract dances interspersed with tributes from members of her company.
I'm not sure this labor of love will do for the esoteric field of modern dance what BUENA VISTA SOCIAL CLUB did for Cuban music, but it's impossible to come away unimpressed by the grace, dedication and creativity of the dancers.
Greg S Super Reviewer. Feb 20, Not a huge fan of modern dance, this is still a beautifully shot and passionate film. More of a meditation on the life of Pina Bausch, Pina really opens up this world of dance to the public and engages with its different locations and props.
Christopher H Super Reviewer. Feb 14, Incredible stuff. Scarcely have I witnessed a more fluid, synchronous marriage of film and theater.
For though this was a film chronicling the ever-inventive and inspiring Pina Bausch, a legendary German modern dance choreographer, it really was theatrical in many dramatic, stunning, and even absurd ways, from staging a carnal gladiatorial fantasia to evoking Cirque du Soleil in feats of balance and whimsy and sheer artistry.
Pina's choreography bottles up the dancers with a kind of finicky anxiety that shoots out in angular directions, punctuating with intense explosions of expression, only to retreat back into the previous restraints.
The dance pieces often use abundance, either in performers or in certain props or extension of stage and said staging is often outdoors, be it against nature or craggy or industrial man-made landscapes to create many thoughtful and gorgeous juxtapositions.
And there's just enough tangible story in each piece to really stir the senses, and a winding theme that fits the film's elegiac energy. And yet, despite such obvious praise, Wim Wenders really makes this film sing or dance?
Involving the audience by incorporating both empty and filled seats in the foreground, and of the silent voiceover testimonials of all the performers, is essential to the viewing experience.
Some criticisms of Pina - the film - stem from not allowing the longer dance pieces play out organically, in that Wenders interjects too often with spliced-in footage from past performances of the same piece, an occasional rumination on art, or gradient editing into different environments between pieces.
Which is odd, because I think that approach was paramount to showing the evolution of Bausch's work and the dramatic flow of the entire film itself.
Nevertheless, the knowledge that Pina had recently died is important in this film, lending gravity to scenes of merely showing archive-style footage of Pina in front of the performers.
And such scenes reinforce a mournful tone throughout that occasionally bursts with celebration. This seems even more the case as we gradually meet each member of the company, and you begin to recognize everybody in the ensemble scenes, and it creates a feeling of connection, even to the creative process and possibly to Pina herself and her vision by proxy.
And I can't think of a more successful, honorable tribute than that. Trailers and Videos. DID YOU KNOW? Crazy Credits. Alternate Versions. Rate This.
A tribute to the late German choreographer, Pina Bausch, as her dancers perform her most famous creations. Director: Wim Wenders. Writer: Wim Wenders.
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Show HTML View more styles. User Polls Best use of 3D? Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Regina Advento Self - Dancer Malou Airaudo Self - Dancer Ruth Amarante Self - Dancer Jorge Puerta Self - Dancer as Jorge Puerta Armenta Pina Bausch Self archive footage Rainer Behr Self - Dancer Andrey Berezin Self - Dancer Damiano Ottavio Bigi Self - Dancer Clementine Deluy Self - Dancer Josephine Ann Endicott Self - Dancer Lutz Förster Self - Dancer Pablo Aran Gimeno The New York Times.
Retrieved 5 January Retrieved 8 September Retrieved 14 October Retrieved 20 January The Hollywood Reporter. Retrieved 18 February Wim Wenders.
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The Captain from Köpenick The Devil Strikes at Night Arms and the Man The Bridge Faust Young Törless Tattoo Artists Under the Big Top: Perplexed Hunting Scenes from Bavaria o.Bei Wim Wenders Schau Hd Tv verhält sich das aber ganz anders — selten hat die 3D-Technik im wahrsten Sinne neue Dimensionen eröffnet wie in dieser Hommage an Pina Bausch. Gian-Piero Auftauchen (Film)Wim Wenders. Nur für Personal! Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of In modern dance since the s, few choreographers have had more influence in the medium than the late Pina Bausch. This film explores the life and work of this artist of movement while we see her company perform her most notable creations where basic things like water, dirt and even gravity take on otherworldly qualities in their dancing. A unique and often sublime artistic experience, "Pina" is a 3-D dance film that immerses us in the movement, letting us feel that we could reach out and touch these dancers as they float past us. This film is surely wonderful if you like modern dance. Some amazing performances were re-created with the Pina Bausch dance company after she passed away. I'm not really into dance, but I found this movie fascinating. Dances were staged in theater spaces as well as in interesting locations in and around the company's hometown of Wuppertal. Pina is a German 3D documentary film about the contemporary dance choreographer Pina Bausch. It was directed by Wim Wenders. The film premiered out of competition at the 61st Berlin International Film Festival. During the preparation of the documentary, Pina Bausch died unexpectedly.